Camera
Aaton
Aaton XTR Prod
The Aaton XTR Prod is a 16mm film camera designed to rest on the shoulder with a balance that mimics the weight of a human head, making sustained handheld operation natural. Its quiet motor and ergonomic design made it the preferred camera of documentary and New Wave filmmakers working in the 1970s and 1980s. Werner Herzog, Wim Wenders, and Agnès Varda were among its proponents.
Artists who use this(4)
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Herzog has discussed using the Aaton XTR for his documentary work in multiple interviews; its shoulder-mount ergonomics suited his approach of filming in extreme environments with small crews, as documented in the making of Grizzly Man (2005) and Encounters at the End of the World (2007).
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Wenders used the Aaton XTR Prod for Paris, Texas (1984) and Wings of Desire (1987); his cinematographer Robby Müller has discussed the camera in interviews about their working method, noting its quietness and ergonomics as central to their handheld location approach.
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Used the Aaton XTR Prod for Paris, Texas (1984) and Wings of Desire (1987); its quietness and ergonomics were central to the handheld location shooting approach.
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