
Bibliothèque nationale de France
Michelangelo Antonioni developed a narrative cinema in which psychological states are expressed through landscape, architecture, and emptiness rather than action. L'Avventura (1960), La Notte (1961), and L'Eclisse (1962) form a loose trilogy on modern alienation - booed at Cannes before establishing him as a major European director. His English-language Blow-Up (1966) was among the most commercially successful art films of the decade.
Mitchell
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Product description
The Mitchell BNCR is a blimped, studio 35mm motion picture camera introduced in 1967 as a reflex-viewing upgrade to the original Mitchell BNC (1934). The "R" designates the addition of a spinning mirror reflex viewfinder, allowing operators to see through the lens while filming. Its double-claw, register-pin movement provided exceptional image steadiness, and the aluminum blimp housing made it near-silent on sound stages. The BNCR dominated Hollywood studio production through the 1970s.
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Luciano Tovoli