Gordon Willis

Bausch & Lomb cinema primes introduced in the early 1960s as the successor to the original Baltars, with a maximum aperture of T2.3. Became an industry standard through the 1970s on films like The Godfather, All the President's Men, and Paper Moon. Single-coated optics produce veiling glare and rainbow flares.

Eastman Double-X 5222 is a black-and-white negative motion picture film rated at EI 250 in daylight and EI 200 under tungsten light. Originally developed from Kodak's Super-XX formula and released in its current form in 1959, it has remained largely unchanged for over six decades. It was the stock used to shoot Raging Bull, Schindler's List, and Manhattan.

Tungsten-balanced color negative stock introduced by Kodak in 1968, rated at EI 100. Replaced the earlier 5251 and became the standard camera negative through much of the 1970s. Used on The Godfather, Cabaret, and Barry Lyndon before being superseded by 5247 in 1976.

Black-and-white print stock manufactured by Agfa for producing positive release prints from camera negatives. Agfa motion picture products largely disappeared from the market by the early 1990s.

Custom split-diopter attachment built by Panavision with a rotating frame that allows the optical element to be positioned at any angle, including while the camera is moving. The frameless design lets the diopter be moved across the shot without visible edges.