Hoyte van Hoytema

The IMAX MSM 9802 is a 65mm motion picture camera shooting on 15-perforation IMAX film stock, producing the largest film negative in commercial cinema. Its images, projected on IMAX screens, achieve a resolution and immersive quality that no digital system has fully replicated.

The Panaflex System 65 Studio is a self-blimped 65mm film camera introduced by Panavision in 1991, designed as the large-format counterpart to the 35mm Panaflex. It uses a 5-perforation pulldown on 65mm film and accepts top- or rear-mounted 400-foot and 1000-foot magazines. Compatible with all Panavision 65mm lenses and accessories.

ARRI's 65mm/5-perf motion picture camera, released in 1989 after six years of development. At under 25 dB(A) at 24 fps, it was dramatically quieter than other 65mm cameras of the era, making sync-sound 65mm shooting practical. Supports 2 to 100 fps with forward and reverse capability, and takes 500-foot or 1000-foot magazines. Earned a Scientific and Engineering Academy Award in 1993.

Large-format 65mm digital cinema camera with a 54.12 x 25.59mm sensor, available exclusively through ARRI Rental. Used on Rogue One, Dune: Part Two, and Solo.

First ALEXA variant with an optical viewfinder, designed to bridge digital capture with a traditional film camera workflow. Used on Skyfall and Prisoners.

Released in 1993 as a lighter, more compact redesign of the original ARRIFLEX 535. It is a 35mm sync-sound production camera with PL mount, crystal-controlled speeds from 3 to 60 fps, and a mechanical variable shutter adjustable from 11 to 180 degrees. Supports Super 35 format and SMPTE time code. It was replaced by the Arricam ST and LT in 2000.

Spherical prime lenses designed for Panavision's 65mm large-format camera system. Engineered to cover the full 5-perf 65mm negative with high resolution and even illumination across the frame.

Carl Zeiss-designed lenses for the Hasselblad V system, covering the 6x6cm medium format frame. Produced across several generations including C, C T*, and CF series, with focal lengths from 30mm to 500mm. The CF lenses feature Prontor leaf shutters with speeds up to 1/500s.

Fast cinema prime lenses (T1.3) originally designed for low-light 35mm film production, with a warm, organic rendering.

Kodak Vision3 250D 5207 is a medium-speed daylight-balanced (5500K) color negative motion picture film rated at ISO 250. Introduced in 2009 as the second stock in the Vision3 family, it shares the same Dye Layering Technology as the 500T, with low measured granularity and extended highlight latitude. Processed in ECN-2 chemistry.

Kodak Vision3 500T 5219 is a high-speed tungsten-balanced (3200K) color negative motion picture film rated at ISO 500. Introduced in 2007 as the first stock in Kodak's Vision3 line, it uses Dye Layering Technology to reduce grain in shadows while maintaining a wide exposure latitude. Available in 35mm and 16mm (7219), it is processed in ECN-2 chemistry and remains a standard for low-light and interior cinematography.

Eastman Double-X 5222 is a black-and-white negative motion picture film rated at EI 250 in daylight and EI 200 under tungsten light. Originally developed from Kodak's Super-XX formula and released in its current form in 1959, it has remained largely unchanged for over six decades. It was the stock used to shoot Raging Bull, Schindler's List, and Manhattan.