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Artists

Subrata Mitra

Filmmaker
Indian·b. 1930 – d. 2001
Known for:
Pioneering bounce lighting, cinematographer of Satyajit Ray's Apu Trilogy and Charulata
Education:
Self-taught; learned by observing Jean Renoir filming The River in Calcutta

Subrata Mitra was an Indian cinematographer who began his career at age 21, having never operated a motion picture camera, when Satyajit Ray hired him to shoot Pather Panchali (1955). He went on to photograph ten of Ray's films over fourteen years, including the complete Apu Trilogy, The Music Room, Devi, and Charulata. Mitra invented the bounce lighting technique in 1954 while filming Aparajito, predating Sven Nykvist's similar innovation by nearly a decade. He also popularized the Arriflex-Nagra combination in India, which became the standard for location shooting. A trained sitarist and painter, Mitra had observed Jean Renoir filming The River (1950) in Calcutta as a young man, an experience that shaped his approach to natural light.

Subrata Mitra's Gear List(2)

Mitchell 35mm

Mitchell

Product description

American-made 35mm motion picture camera system produced by the Mitchell Camera Corporation from the 1920s through the 1970s. The BNC model became the Hollywood studio standard for decades. Mitchell cameras were known for their precise registration-pin movements.

Connection note

Used on Pather Panchali (1955). Confirmed by KIFF exhibition: "Mitchell 35mm... used by Satyajit Ray to shoot Pather Panchali"
Source: Website ↗
Arriflex 35 IIC

ARRI

Product description

Introduced in 1963 as the final evolution of the Arriflex 35 II series, the IIC added a larger ground glass, movable viewfinder, and anamorphic desqueeze capability. It is an MOS camera with no internal electronics, powered entirely by external sources, and uses 200-foot or 400-foot magazines. Produced through 1979, it was succeeded by the Arriflex III. Over 17,000 units in the 35 II series were manufactured, making it the best-selling ARRI model line ever.

Connection note

Mitra was "the first man in India to shoot a feature film with an Arriflex" on Aparajito (1956). Used on subsequent Ray films through Nayak (1966)

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