Tonino Delli Colli began working at Rome's Cinecittà Studios in 1938 at age sixteen, largely teaching himself cinematography on the job. He shot Italy's first color feature, Totò a colori (1952), improvising with black-and-white lighting equipment because color lamps did not yet exist in Italy. His collaboration with Pier Paolo Pasolini spanned twelve films, beginning with Accattone (1961), where he deliberately used grainy Ferrania film stock to achieve a raw, documentary texture. With Sergio Leone, he pioneered the use of Techniscope on The Good, the Bad and the Ugly (1966) and Once Upon a Time in the West (1968), delivering widescreen compositions on tight budgets.
ARRI
Product description
Introduced in 1963 as the final evolution of the Arriflex 35 II series, the IIC added a larger ground glass, movable viewfinder, and anamorphic desqueeze capability. It is an MOS camera with no internal electronics, powered entirely by external sources, and uses 200-foot or 400-foot magazines. Produced through 1979, it was succeeded by the Arriflex III. Over 17,000 units in the 35 II series were manufactured, making it the best-selling ARRI model line ever.
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Product description
The Mitchell BNC (Blimped Newsreel Camera) was the standard studio motion picture camera in Hollywood from the 1930s through the 1960s. Its rock-steady registration, optical viewfinder, and compatibility with studio lighting rigs made it the instrument of classical Hollywood cinematography.
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Angenieux
Product description
Angenieux's landmark 10:1 cinema zoom, introduced in 1962 with a T3.9 aperture. Won a Scientific and Engineering Academy Award in 1965. Used on The Godfather, The French Connection, The Exorcist, and the famous dolly-zoom shot in Jaws.
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Product description
Kodak color negative stock introduced in 1962 with improved image structure over its predecessor, the 5250. Rated at EI 50 under tungsten light. Served as the primary Eastman camera negative through the mid-1960s until replaced by the faster 5254 in 1968.
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Ferrania
Product description
Italian motion picture film manufactured by Ferrania (founded 1923) in the Liguria region. Produced both color and black-and-white stocks used by directors including Fellini, De Sica, and Pasolini. Ferrania ceased film production in 2008-2009. The FILM Ferrania company revived the brand in 2013.
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Yasujirō Ozu