
Jan Harm Bakhuys
Marlene Dumas grew up in South Africa under apartheid and has lived and worked in Amsterdam since 1976, producing paintings and drawings that address the politics of representation - race, gender, sexuality, death - with a deliberately smudged, liquid technique that refuses the clean surfaces of photorealism. Her source material is consistently photographic - pornography, news images, personal photographs - which she transforms through her working process into something irreducibly painterly. Her The Teacher (Sub A) sold for $6.3 million in 2005.
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Oil paint — pigment suspended in a drying oil, typically linseed — has been the dominant painting medium since the fifteenth century. It dries slowly, allowing extended blending, and produces a rich, luminous surface. Available from dozens of manufacturers at student through professional grades.
Know something Marlene Dumas uses that's not listed?
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Product description
A carbon-based drawing ink made from fine soot particles (lampblack or carbon black) suspended in water with a binding agent, traditionally shellac. India ink dries to a permanent, waterproof, deep black finish and works with brushes, dip pens, and technical pens. It has been used for writing and drawing for thousands of years across Asian and Western traditions.
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A water-soluble paint made from pigment bound with gum arabic, applied in transparent washes that allow the white of the paper to show through. Watercolors are built up in layers from light to dark, with the paper itself serving as the lightest value. Available in tubes (moist paste) and pans (dried cakes), the medium is prized for its luminosity and portability.

Junji Ito