Nicolas de Staël fled Russia as a child after the Revolution and spent his career in France developing a practice of thickly impastoed abstract painting that gradually introduced recognizable subjects - stadiums, musicians, the Sicilian landscape - into its surfaces. His late work, made in the final two years of his life in the Var and in Antibes, has a chromatic intensity and physical urgency that distinguishes it from anything he had made before. He died by suicide in Antibes in 1955 at 41.
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Oil paint — pigment suspended in a drying oil, typically linseed — has been the dominant painting medium since the fifteenth century. It dries slowly, allowing extended blending, and produces a rich, luminous surface. Available from dozens of manufacturers at student through professional grades.
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