Rachel Morrison

ARRI's Super 16mm production camera, introduced in 2006. Built with PL mount compatibility shared with ARRI's 35mm cameras, it supports frame rates from 1 to 75 fps (up to 150 fps in the HS variant) and runs below 20 dB(A) at 24 fps for sync-sound work. The viewfinder and video assist operate independently, allowing fast changeovers for Steadicam or remote operation.

Panavision's C Series 2x anamorphic primes have been in continuous use since their introduction in 1968. Available in focal lengths from 35mm to 100mm, they are compact and lightweight, making them well suited for handheld and Steadicam work. The lenses produce a pronounced anamorphic flare and organic bokeh with graduated depth of field.

The PVintage series, introduced in 2013, rehouses glass elements from Panavision's Ultra Speed lenses (originally debuted in 1976) into modern barrels with a consistent 113mm front diameter. All lenses open wider than T2 and most focus down to 24 inches. The rehousing retains the soft, organic rendering of the original Ultra Speeds while standardizing size, weight, and front diameter across the set.

The Panaflex Millennium XL2 is a 35mm sync-sound film camera introduced by Panavision in 2004 as an update to the original Millennium XL. It features crystal-controlled speeds from 3 to 50 fps with in-shot speed ramping, a variable shutter adjustable from 11.2 to 180 degrees, dual registration pins, and dual pull-down claws. The camera converts between studio, handheld, and Steadicam configurations and is available in 3-perf or 4-perf pulldown.

ARRI's full-color LED soft light panel with a 645 x 300 mm aperture, producing the equivalent output of a 2000W tungsten soft light while drawing a maximum of 450W. Offers adjustable color temperature from 2,800K to 10,000K, achieving a CRI of 95 and TLCI of 90. Controllable via onboard knobs, DMX, or LAN. Replaced by the SkyPanel S60 Pro in 2024.