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Artists
Sebastião Salgado

Fernando Frazão/Agência Brasil

Sebastião Salgado

Photographer
Brazilian·b. 1944 – d. 2025·Website ↗
Known for:
long-term documentary projects on labor and migration
Education:
University of São Paulo (MA, economics); University of Paris (PhD, economics); self-taught in photography

Sebastião Salgado trained as an economist before taking up photography in his late twenties, producing long-term documentary projects that have spanned decades and continents. His Workers (1993) and Migrations (2000) documented labor and displacement at a scale few photographers have attempted. In parallel with his photographic work, he and his wife Lélia have replanted more than two million trees on degraded land in Brazil through the Instituto Terra.

Sebastião Salgado's Gear List(10)

Leica M6
Leica M6

Leica

Connection Source
AboutphotographyWebsite
↗

Connection note

Salgado used Leica rangefinder cameras for his documentary projects "Workers" and "Migrations." He has discussed his preference for Leica in multiple interviews.

Product description

The M6, produced from 1984 to 1998, was the first M-series Leica to include a through-the-lens exposure meter. It retained the mechanical shutter and M bayonet mount of earlier cameras, maintaining full compatibility with decades of Leica M lenses.

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Kodak Tri-X 400
Kodak Tri-X 400

Kodak

Connection Source
SubstackBook
↗

Connection note

Salgado's black-and-white documentary work was shot on Tri-X and other fast films during his film-based decades; his grain-forward aesthetic is built on these materials.

Product description

In production since 1954, Tri-X 400 is a black-and-white film whose grain structure, broad exposure latitude, and response to push processing made it the dominant film in photojournalism and street photography for decades.

Find on Adorama ↗
Canon EOS-1D X
Canon EOS-1D X

Canon

Connection Source
Canon EuropeInterview
↗

Connection note

Salgado transitioned to Canon digital cameras for his "Genesis" (2013) project. He has discussed this switch in interviews, noting the camera's ability to perform in extreme environments.

Product description

Canon's flagship full-frame DSLR, introduced in 2011. It shoots at 12 frames per second and was designed for professional use in sports, editorial, and portrait photography under demanding conditions.

Find on Adorama ↗
Leica R6

Leica

Connection Source
BlogspotWebsite
↗

Connection note

Used for Kuwait oil-fire coverage (1991); chosen for fully mechanical operation independent of batteries

Product description

A fully mechanical 35mm film SLR produced from 1988 to 1992, featuring a non-battery-dependent shutter. Lightweight at 625g, it offers mirror lock-up, interchangeable focusing screens, and selective/integrated metering. The first mechanical, manual-exposure-only SLR from Leica since the Leicaflex SL2.

Leica Elmarit-R 28mm f/2.8

Leica

Connection Source
BlogspotWebsite
↗

Connection note

Primary lens on the R6 for Kuwait coverage

Product description

A wide-angle prime produced in two versions for the Leica R mount, starting in 1970. The first version used an 8-element-in-8-groups design with a close focus of 30cm, while the second version, introduced in 1994, added a floating element for improved close-range performance. Roughly 50,500 units were made, including a small run in Safari green.

Leica Macro-Elmarit-R 60mm f/2.8

Leica

Connection Source
BlogspotWebsite
↗

Connection note

Used for the majority of Kuwait shots

Product description

A six-element macro lens produced from 1972 to 2009 for Leica's R-mount SLR system. It focuses down to 30cm for a 1:2 reproduction ratio natively, reaching 1:1 with a dedicated extension tube. The lens went through two main versions but kept the same optical formula throughout, and it earned a reputation for rendering that balanced clinical sharpness with smooth tonal transitions.

Pentax 67
Pentax 67

Pentax

Connection Source
SubstackWebsite
↗

Connection note

Used medium format Pentax for larger prints; "medium format cameras like the Pentax 67"

Product description

The Pentax 67 is a medium format SLR producing 6×7cm negatives on 120 film. Introduced in 1969, its SLR handling in a medium format body made it practical for handheld work requiring larger negatives than 35mm. It was widely adopted by portrait, landscape, and fashion photographers.

Find on Adorama ↗
Canon EOS-1V

Canon

Connection Source
SubstackWebsite
↗

Connection note

Used alongside Leica M6; "such as the Leica M6 and the Canon EOS-1V"

Product description

Canon's ultimate professional 35mm film SLR, the EOS-1V featured a 45-point Area AF system, 10fps shooting with the Power Drive Booster, and a tank-like weather-sealed body. It was the last top-tier film body Canon produced before going all-in on digital.

Mamiya 7

Mamiya

Connection Source
SubstackWebsite
↗

Connection note

Medium format camera; "medium format cameras like the Pentax 67 and the Mamiya 7"

Product description

Introduced in 1995, the Mamiya 7 is a medium format rangefinder producing 6×7cm negatives on 120 film. Its light weight and high-resolution lenses made it a practical tool for location and travel photography requiring medium format quality.

Find on Adorama ↗
Canon EOS-1Ds Mark III

Canon

Connection Source
SubstackWebsite
↗

Connection note

Digital transition camera; "Since 2008 he has been using Canon's EOS-1Ds Mark III"

Product description

Canon's flagship professional DSLR from 2007, the 1Ds Mark III paired a 21.1-megapixel full-frame sensor with dual DIGIC III processors and a rugged, weather-sealed magnesium body rated for 300,000 shutter actuations. It was the studio and editorial standard-bearer of its era, prized for its color accuracy and build quality.

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