Greig Fraser

Large-format digital cinema camera with a 36.70 x 25.54mm sensor. Used on Dune, The Batman, and The Mandalorian.

Large-format digital cinema camera pairing the compact ALEXA Mini body with a full-frame sensor. First used on 1917 (2019), also used on Dune and Dune: Part Two.

Large-format anamorphic lenses built for Panavision's Millennium DXL2 and compatible large-format cameras.

Compact full-frame cinema camera in a mirrorless body. Greig Fraser used 8 of them to shoot The Creator (2023) in a lightweight, mobile setup.

Vintage Japanese cinema lens rehoused by P+S Technik. Greig Fraser shot 95% of The Creator (2023) on this single lens.

Introduced in 2010, the ARRI ALEXA is a digital cinema camera that rapidly became the industry standard for high-end film and television production. Its large-format sensor and proprietary ALEV color science produced an image quality that many cinematographers considered closer to film than any preceding digital system. It has been used to shoot Academy Award-winning films including Gravity, Birdman, and Parasite.

Full-frame anamorphic cine lens in PL mount with a 1.33x squeeze ratio. The 135mm focal length and T2.4 aperture place it in telephoto portrait territory for large-format cinema cameras. Part of Viltrox's EPIC anamorphic series, which produces vertical blue streak flares characteristic of anamorphic glass.

A 10x parfocal cinema zoom in LPL mount covering 42mm to 420mm at T5.6. Designed for large-format cameras including the ARRI Alexa 65, it spans wide-angle through super-telephoto in a single lens, eliminating lens changes during extended takes.