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Artists
Greig Fraser

Lyn Fairly Media

Greig Fraser

Filmmaker
Australian·b. 1975·Website ↗
Known for:
Oscar-winning cinematographer specializing in large-format digital capture, vintage optics, and LED virtual production
Education:
RMIT University, Melbourne

Greig Fraser is an Australian cinematographer who won the Academy Award for Best Cinematography for Dune (2021), with additional nominations for Lion (2016) and Dune: Part Two (2024). He studied at RMIT University in Melbourne and has worked with Denis Villeneuve, Kathryn Bigelow, Matt Reeves, and Gareth Edwards. He helped develop ILM's StageCraft LED virtual production system for The Mandalorian and shot the Giedi Prime sequences of Dune: Part Two using infrared cinematography. His filmography ranges from large-scale franchise work (Star Wars, Dune, The Batman) to smaller dramas like Lion and Bright Star.

Gear & Materials(6)

ARRI ALEXA 65

ARRI

Connection note

Primary camera on Dune: Part Two (2024) and Rogue One (2016); one of the earliest features shot on it

Large-format 65mm digital cinema camera with a 54.12 x 25.59mm sensor, available exclusively through ARRI Rental. Used on Rogue One, Dune: Part Two, and Solo.

Source: Interview ↗
ARRI ALEXA LF

ARRI

Connection note

Primary camera on Dune (2021); "We used the entire sensor every single time"

Large-format digital cinema camera with a 36.70 x 25.54mm sensor. Used on Dune, The Batman, and The Mandalorian.

Source: Website ↗
ARRI ALEXA Mini LF

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ARRI

Connection note

Complementary camera on Dune and Dune: Part Two

Large-format digital cinema camera pairing the compact ALEXA Mini body with a full-frame sensor. First used on 1917 (2019), also used on Dune and Dune: Part Two.

Source: Interview ↗
Panavision Ultra Vista Lenses

Panavision

Connection note

Large-format anamorphic lenses on Dune (2021)

Large-format anamorphic lenses built for Panavision's Millennium DXL2 and compatible large-format cameras.

Source: Website ↗
Sony FX3

Sony

Connection note

Shot The Creator (2023) on 8 bodies in a lightweight, mobile setup

Compact full-frame cinema camera in a mirrorless body. Greig Fraser used 8 of them to shoot The Creator (2023) in a lightweight, mobile setup.

Source: Website ↗
Kowa Cine Prominar 75mm

Kowa

Connection note

95% of The Creator (2023) shot on this single vintage lens

Vintage Japanese cinema lens rehoused by P+S Technik. Greig Fraser shot 95% of The Creator (2023) on this single lens.

Source: Website ↗