ARRI
ARRI ALEXA
Introduced in 2010, the ARRI ALEXA is a digital cinema camera that rapidly became the industry standard for high-end film and television production. Its large-format sensor and proprietary ALEV color science produced an image quality that many cinematographers considered closer to film than any preceding digital system. It has been used to shoot Academy Award-winning films including Gravity, Birdman, and Parasite.
Artists who use this(4)
“Parasite (2019) was shot on the ARRI ALEXA Mini by cinematographer Hong Kyung-pyo; Bong has discussed the camera system in multiple interviews about the production, noting its flexibility for the film's range of interior and exterior conditions.”
“Fincher adopted the ARRI ALEXA for The Social Network (2010) and subsequent productions; his cinematographer Jeff Cronenweth has discussed the system extensively in interviews, citing its dynamic range and color science as central to Fincher's controlled visual palette.”
“Cuarón shot Roma (2018) on the ARRI ALEXA 65 with cinematographer Emmanuel Lubezki; both have discussed the system extensively in interviews, noting its ability to shoot in low-light conditions consistent with the film's available-light aesthetic.”
“Mann adopted the ARRI ALEXA for "Blackhat" (2015) and subsequent work; his cinematographer Stuart Dryburgh has discussed the camera system in interviews, noting its ability to match the available-light aesthetic Mann developed with earlier digital systems while providing greater dynamic range in interior conditions.”