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Artists

Lance Acord

Filmmaker
American·b. 1964
Known for:
Cinematographer for Sofia Coppola and Spike Jonze, co-founder of Park Pictures
Education:
San Francisco Art Institute

Lance Acord is an American cinematographer and commercial director born in Fresno, California, who grew up in Marin County. He studied film and photography at the San Francisco Art Institute before moving to New York to assist photographer and filmmaker Bruce Weber. His feature career began with Vincent Gallo's Buffalo '66, followed by defining collaborations with Spike Jonze (Being John Malkovich, Adaptation, Where the Wild Things Are) and Sofia Coppola (Lost in Translation, Marie Antoinette). His work on Lost in Translation earned a BAFTA nomination for Best Cinematography, and he is known for his naturalistic lighting approach, frequently shooting with available light and high-speed film stocks.

Lance Acord's Gear List(5)

Aaton 35-III

Aaton

Product description

The Aaton 35-III is a compact, lightweight 35mm sync-sound motion picture camera introduced by the French manufacturer Aaton in 1989. It features a PL lens mount, 4-perf movement with Super 35 coverage, instant-change magazines, and Aatoncode timecode recorded directly onto the film edge, eliminating the need for slates. A 3-perf option was added in 2002.

Connection note

Used on Lost in Translation, Marie Antoinette, and Where the Wild Things Are. His primary handheld camera
Source: Website ↗
Moviecam Compact

Moviecam

Product description

The Moviecam Compact is a modular 35mm motion picture camera designed by Austrian engineer Fritz Gabriel Bauer and introduced in 1990. It supports 4-perf and 3-perf pull-down with Super 35 coverage, features a microprocessor-controlled motor with crystal-accurate variable speeds, and a balanced center of gravity for handheld and Steadicam work. It received a Scientific and Engineering Academy Award in 1993. ARRI acquired Moviecam in the late 1990s and incorporated its technology into the ARRICAM line.

Connection note

Used on Lost in Translation, Being John Malkovich, and Buffalo '66

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Source: Website ↗
Zeiss Super Speed Lenses

Zeiss

Product description

Fast cinema prime lenses (T1.3) originally designed for low-light 35mm film production, with a warm, organic rendering.

Connection note

Used on Lost in Translation and Buffalo '66. Fast lenses well-suited to Acord's available-light approach
Source: Website ↗
Cooke S4 Lenses

Cooke

Product description

Cinema prime lenses with the warm, slightly soft "Cooke Look" that flatters skin tones and organic textures.

Connection note

Used on Being John Malkovich (1999)
Source: Website ↗
Kodak Vision 500T 5263

Kodak

Product description

Short-lived 500-speed tungsten color negative from the original Kodak Vision line, produced from 2002 to 2003. Processed in ECN-2 chemistry.

Connection note

"With the high-speed film stock that we were using, we could go anywhere, not light it and just shoot"
Source: Interview ↗
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