Yorick Le Saux

ARRI's flagship 35mm sync-sound studio camera, introduced in 2000 as a replacement for the Arriflex 535 line. It was ARRI's first 35mm silent camera to use displacement magazines instead of coaxial ones. Features dual-pin registration, dual pull-down claws, and an electronically adjustable mirror shutter (0-180 degrees in 0.1-degree increments) with crystal motors accurate to 1/1000 fps.

Cooke's workhorse cinema primes at T2 across 18 matched focal lengths from 12mm to 180mm. Feature an eight-leaf iris, /i Technology metadata, and the warm contrast falloff known as the "Cooke Look." Color-matched with the 5/i, miniS4/i, and Anamorphic/i series.

Vintage Japanese 2x front-anamorphic prime lenses originally produced in the 1970s, available in 40mm, 50mm, 75mm, and 100mm focal lengths. Compact and lightweight for anamorphic glass, with 80mm front elements. Known for low contrast, warm color rendering, and easy flaring.

Kodak Vision3 500T 5219 is a high-speed tungsten-balanced (3200K) color negative motion picture film rated at ISO 500. Introduced in 2007 as the first stock in Kodak's Vision3 line, it uses Dye Layering Technology to reduce grain in shadows while maintaining a wide exposure latitude. Available in 35mm and 16mm (7219), it is processed in ECN-2 chemistry and remains a standard for low-light and interior cinematography.

16mm version of Kodak's current Vision3 500T high-speed tungsten color negative, rated at EI 500. The fastest stock in the active Vision3 lineup, with broad exposure latitude and fine grain for its speed.