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Artists

Harry Callahan

Photographer
American·b. 1912
Known for:
photography education at the Institute of Design and RISD; portraits of his wife Eleanor
Education:
Michigan State University (engineering); self-taught photographer

Harry Callahan taught at the Institute of Design in Chicago beginning in 1946, where he worked alongside László Moholy-Nagy, and later chaired the photography program at the Rhode Island School of Design, shaping photographic education in the United States for decades. His own work encompassed multiple exposures, extreme close-ups of grasses and weeds, street photography, and an extended portrait project centered on his wife Eleanor. He received the National Endowment for the Arts' first survey grant in photography in 1972.

Harry Callahan's Gear List(3)

Leica M3
Leica M3

Leica

Connection note

Callahan used Leica rangefinder cameras for his street photography and portraits of his wife Eleanor. His Leica practice is documented in retrospective accounts of his work at the Institute of Design.

Product description

Introduced in 1954, the M3 was Leitz's first camera to use the M bayonet mount. Its combined viewfinder and rangefinder, with 0.91x magnification, set a standard for 35mm rangefinder design that every subsequent Leica M followed.

Rolleiflex 2.8F
Rolleiflex 2.8F

Rollei

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Connection note

Callahan used a Rolleiflex for his landscape and portrait work alongside his Leica practice. His use of both cameras is documented in exhibition materials.

Product description

The 2.8F, produced from 1960 to 1981, is the final production version of the twin-lens Rolleiflex. It uses a Zeiss Planar 80mm f/2.8 taking lens and produces 6×6cm negatives on 120 film.

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Deardorff 8×10 View Camera
Deardorff 8×10 View Camera

Deardorff

Connection Source
ErickimphotographyWebsite
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Connection note

Callahan worked with 8x10 view cameras for his landscape and close-up photography, particularly his weed and grass studies. Documented in accounts of his teaching at the Institute of Design and RISD.

Product description

Manufactured by L.F. Deardorff & Sons in Chicago from the 1920s through the 1980s, the 8×10 is a wooden field camera producing negatives 8 by 10 inches. Its bellows design allows for full front and rear movements including tilt, swing, and shift.

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